Truly a gnarliciously gnarly work! Origiinal in concept and extremely well executed this conveys both a sense of discord and harmony simultaneously.
Full-view is, of course, an absolute must to appreciate the fine detail and interweaving of the lines radiating from the gnarls. And, too, to appreciate the blue which seems to randomly swell up from beneath the overall piece.
A perfect choice of gradient, if that's the correct word to use in UF, to compliment the form of the piece and to provide a delightful contrast to the asymetry of the coppery orange-ish gnarl forms.
I see no really negatives with this except, perhaps, a very slight washout in some of the blue aspects. Probably, though, more the fault of the gradient than the artist.
Overall a lovely piece for those of us who are partial to gnarls. And, of course, who really isn't?
Full-view is, of course, an absolute must to appreciate the fine detail and interweaving of the lines radiating from the gnarls. And, too, to appreciate the blue which seems to randomly swell up from beneath the overall piece.
A perfect choice of gradient, if that's the correct word to use in UF, to compliment the form of the piece and to provide a delightful contrast to the asymetry of the coppery orange-ish gnarl forms.
I see no really negatives with this except, perhaps, a very slight washout in some of the blue aspects. Probably, though, more the fault of the gradient than the artist.
Overall a lovely piece for those of us who are partial to gnarls. And, of course, who really isn't?
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